If his struggles to save Maria Elena and his family actually pushed Ben to think about his job and his beliefs differently, perhaps the series would carry more weight.
(At one point, a “friend” jokes that Ben misses him, and Ben says, “More than your wife,” knowing the two are in counseling.) He turns down wine in favor of beer (which is almost always a Budweiser), barely hides his disdain for his daughter’s tattoos, and has never met a joke too hurtful for his bros at the office. He hates her new husband (the always affable Mark Feuerstein, playing another super-nice step-dad after his recent stint on “The Baby-Sitters’ Club”). He still pines for an ex-wife who’s already remarried. What’s harder to get past is his lack of development.Įmy Mena and Michael Chiklis in “Coyote” CBSīen is the card-carrying stereotype of old, grumpy, white dads.
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That he’d never been confronted with a similar moral choice in his 32 years of service seems somewhat implausible, but it’s a TV show, so just go with it. The story is rather simple: Ben, in a reluctant act of heroism, tries to help Maria Elean (Emy Mena), a pregnant teenager, escape her cartel captors, and instead puts himself and his family at risk. It’s when we zoom in that things get a bit more dicey. Director and executive producer Michelle MacLaren - who’s helmed a number of the aforementioned dramas over the years, including “Breaking Bad” and “Better Call Saul” - introduces the story with plenty of wide frames, showing off the real-world locations and building an informative environment with her lush shots of the Mexican coastline to inland restaurants and the busy border crossing itself. Plenty of intense dramas over the years have offered ample suspense and insight in order to keep viewers hooked on a character’s perilous fall from grace, and “Coyote” certainly has the appropriate sheen in its early episodes. While there’s usually more going on than what immediately meets the eye, the six-episode first season doesn’t always follow through on its more thoughtful intuitions and is often hard to watch - not just because there’s a number of scenes where Chiklis vomits, wheezes, or witnesses stomach-churning carnage - but because the story of one man’s continued descent into a dark criminal underbelly is generally not a fun journey. Most of “Coyote” plays out like this scene, for better and for worse. The Latest ‘Barry’ Is as Funny as Hopeless Desperation Can Get
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